Wednesday, April 29, 2009
Open Call for PS122 Gallery
If you've already graduated, or are graduating this May, you can apply for a show at PS122. They have an open call up now. They will be looking at images in July. They arrange for 2-person shows in their gallery space. Here is a link to the application: http://www.ps122gallery.org/apply.php .
Tuesday, April 28, 2009
NATO THOMPSON
Queens College Graduate Fine Arts Club Presents...
NATO THOMPSON, CURATOR & PRODUCER
TUESDAY, MAY 5th at 4:30pm in Kiely Hall room 170
Refreshments to follow in Klapper Hall, 6th floor
FREE & OPEN TO THE PUBLIC!
Since January 2007, Nato has organized major projects for Creative Time such as Democracy in America: The National Campaign (2008), Paul Chan’s acclaimed Waiting for Godot in New Orleans (2007) and Mike Nelson’s A Psychic Vacuum. Previous to Creative Time, he worked as Curator at MASS MoCA where he completed numerous large-scale exhibitions such as The Interventionists: Art in the Social Sphere (2004), a survey of political art of the 1990s with a catalogue distributed by MIT Press. His writings have appeared in numerous publications including BookForum, Art Journal, tema celeste, Parkett, Cabinet and The Journal of Aesthetics and Protest. The College Art Association awarded him for distinguished writing in Art Journal in 2004. He recently curated an exhibition for Independent Curators International titled Experimental Geography with a book available by Melville House Publishing. His book on art and activism is due out by Autonomedia in October 2009.
Please join us!
NATO THOMPSON, CURATOR & PRODUCER
TUESDAY, MAY 5th at 4:30pm in Kiely Hall room 170
Refreshments to follow in Klapper Hall, 6th floor
FREE & OPEN TO THE PUBLIC!
Since January 2007, Nato has organized major projects for Creative Time such as Democracy in America: The National Campaign (2008), Paul Chan’s acclaimed Waiting for Godot in New Orleans (2007) and Mike Nelson’s A Psychic Vacuum. Previous to Creative Time, he worked as Curator at MASS MoCA where he completed numerous large-scale exhibitions such as The Interventionists: Art in the Social Sphere (2004), a survey of political art of the 1990s with a catalogue distributed by MIT Press. His writings have appeared in numerous publications including BookForum, Art Journal, tema celeste, Parkett, Cabinet and The Journal of Aesthetics and Protest. The College Art Association awarded him for distinguished writing in Art Journal in 2004. He recently curated an exhibition for Independent Curators International titled Experimental Geography with a book available by Melville House Publishing. His book on art and activism is due out by Autonomedia in October 2009.
Please join us!
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